FOUND & FRAMED
Curation & Available Works
In addition to offering works by represented artists, Sarah Brook Gallery features found artworks by iconic, obscure, and anonymous artists sourced along our travels. Photography comprises the majority of Found & Framed; the nostalgia inherent to a silver gelatin print imbues its surroundings with a sense of history and the physical sensuality of light. These collected treasures are reinvigorated with custom frames and from time to time incorporated into a given installation to offer a visual counterweight.
Coursive du 1er étage, 1985
Gil Rigoulet
Black & white silver gelatin print
11 x 7 / 18 x 15.5 in
Signed with dry stamp
SOLD
Coursive du 2e étage, 1985
Gil Rigoulet
Black & white silver gelatin print
11 x 7 / 18 x 15.5 in
Signed with dry stamp
SOLD
Molitor, Summer of ‘85
These were the times of leisure pools - people were flirting, gossiping, daydreaming. Time was slow. We were drunk on children’s laughter, intoxicated by the scent of chlorine and the eroticism in the air. Outside of the changing rooms, we would exchange short, feverish glances then we would prolong the magic feeling from the pool at the Pacific Molitor bar.
-Gil Rigoulet
UV Floral prints by A.E. Woolley photographed by Nastassia Brückin
Born in 1926, A.E. Woolley was a photojournalist and photography professor for his entire life. His deeply experimental investigations of the medium and all its potentials brought him to cyanotype. Ghostly and poetic, Woolley’s cyanotypes are especially refined, offering a complexity of color and line that is quite difficult to achieve with the medium.
Untitled (Floral No. 208), 1988
A.E. Woolley
Ultraviolet gelatin silver print
11 x 14 / 14 x 17 in
Signed on verso
SOLD
UV Floral prints by A.E. Woolley
Untitled (Floral No. 214), 1988
A.E. Woolley
Ultraviolet gelatin silver print
8 x 10 / 12.5 x 14 in
Signed on verso
SOLD
Untitled (Floral No. 218), 1988
A.E. Woolley
Ultraviolet gelatin silver print
7 x 9 / 11 x 13 in
Signed on verso
SOLD
Original print by Cheryl Humphreys and photograph by Edward Weston photographed by Nastassia Brückin
Maïs, Le Marais D'Arles from 1960 by French photographer Lucien Clergue. These gelatin silver prints expose for us striking details of the marsh of Arles. Clergue’s innovative use of light and shadow work to abstract the image of flora decaying in water such that it speaks allegorically to the overarching ephemerality of forms.
Maïs, Le Marais D’Arles, No. 1, 1960
Lucien Clergue
Silver gelatin print
5 x 9 / 12.5 x 14.5 in
$450
Inquire
Maïs, Le Marais D’Arles, No. 2, 1960
Lucien Clergue
Silver gelatin print
5 x 7 / 12.5 x 14.5 in
$450
Inquire
Maïs, Le Marais D’Arles, No. 4, 1960
Lucien Clergue
Silver gelatin print
5 x 7 / 12.5 x 14.5 in
$450
Inquire
Maïs, Le Marais D’Arles, No. 6, 1960
Lucien Clergue
Silver gelatin print
5 x 7 / 12.5 x 14.5 in
$450
Inquire
Maïs, Le Marais D’Arles, No. 3, 1960
Lucien Clergue
Silver gelatin print
5 x 7 / 12.5 x 14.5 in
$450
Inquire
Maïs, Le Marais D’Arles, No. 5, 1960
Lucien Clergue
Silver gelatin print
5 x 7 / 12.5 x 14.5 in
$450
Inquire
Maïs, Le Marais D’Arles, No. 7, 1960
Lucien Clergue
Silver gelatin print
5 x 7 / 12.5 x 14.5 in
$450
Inquire
Photographs by Gil Rigoulet photographed by Nastassia Brückin
Cowboy, 1970
A.E. Woolley
Silver gelatin print
13 x 10 / 21 x 17 in
SOLD
Cowgirl
A.E. Woolley
Silver gelatin print
6.25 x 9 / 11.75 x 14.5 in
SOLD